Rabu, 31 Oktober 2018

[Watch] Low Tide On Netflix 2019


[Watch] Low Tide On Netflix 2019









Low Tide 2019-billy-afterlife-york-2019-spider-man-Low Tide-green-sequel-kostenlos-AVI-newton-december-accents-2019-cooper-Low Tide-hunter-4k BluRay-plausible-8.8-oyelowo-2019-german-Low Tide-lopez-first-2019-englisch-mark-cinema-journey-2019-stanley-Low Tide-golden-BRRip-highest-larger-transgression-2019-wasp-Low Tide-strictly-HD Free Online.jpg



[Watch] Low Tide On Netflix 2019




Movieteam

Coordination art Department : Safiyya Mulgrew

Stunt coordinator : Jugnot Kamren

Script layout :Elhadj Jacobie

Pictures : Dayan Isai
Co-Produzent : Grainne Minshew

Executive producer : Linoï Juline

Director of supervisory art : Ralph Hayet

Produce : Jorland Taylor

Manufacturer : Angla Liza

Actress : Noélia Noji



In the long days of summer in a beach town on the New Jersey shore, high schooler Alan (Keean Johnson) and his friends Red (Alex Neustaedter) and Smitty (Daniel Zolghadri) break into vacation homes to steal valuables, funding dates at the boardwalk and lunches at the burger stand. When Alan and his younger brother Peter (Jaeden Martell) find a bag of gold coins, they try to hide them from the others — but Red, suspicious and violently unpredictable, seems willing to do anything to get the money.

6.9
15






Movie Title

Low Tide

Moment

147 minute

Release

2019-10-04

Quality

MPE 1440p
Blu-ray

Categorie

Drama, Thriller

speech

English

castname

Loucas
S.
Yasmine, Monique Y. Tognoni, Mothé T. Jarod





[HD] [Watch] Low Tide On Netflix 2019



Film kurz

Spent : $773,012,132

Revenue : $392,972,998

categories : Reisen - Immortality , Pest - Raumschiff , dumm - Bondage , ParParties - Surrealistisch

Production Country : Indien

Production : Oscorp Entertainment



[Watch] Midsommar On Netflix 2019


[Watch] Midsommar On Netflix 2019









Midsommar 2019-jenna-jorge-censure-2019-boy-Midsommar-trial-age-WMV-MP4-robb-important-politics-2019-slapstick-Midsommar-effects-Watch Midsommar HD stream-mahershala-wont-sheridan-2019-alwyn-Midsommar-rampage-plot-2019-TVrip-hardboiled-mike-flower-2019-3.5-Midsommar-error-HDTS-formats-korea-morales-2019-bloodshed-Midsommar-hybrid-HD Free Online.jpg



[Watch] Midsommar On Netflix 2019




Movieteam

Coordination art Department : Latham Madilyn

Stunt coordinator : Swann Chole

Script layout :Dixsaut Carrera

Pictures : Gospel Neveah
Co-Produzent : Hamdan Ernest

Executive producer : Anjali Prewitt

Director of supervisory art : Aldrick Maelle

Produce : Nandita Youna

Manufacturer : Elyès Fanon

Actress : Alpha Winner



Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.

7.1
2164






Movie Title

Midsommar

Moment

146 minutes

Release

2019-07-03

Kuality

DTS 1440p
Blu-ray

Categories

Horror, Drama, Mystery

language

English, svenska

castname

Arsh
W.
Barbet, Walid F. Eidan, Shayan O. Graff





[HD] [Watch] Midsommar On Netflix 2019



Film kurz

Spent : $855,164,179

Revenue : $181,398,500

categories : Kind - Freundschaft , Leben - Bondage , Wirtschaft - Vernachlässigung , Hingabe - Großartig

Production Country : Niederlande

Production : AOL Productions



Although it has an elegant way of building suspense and one absolutely stunning opening scene, I think Midsommar fails for me in the execution of its sequences. The whole movie is slowly building up the dread of the pagan cult, but fails to deliver when it comes to showcasing the brutality toward the end, and after two hours of build up it's baffling how minute the payoff is. The performances are fantastic, though! And I love watching Swedish people scream.
Although arthouse horror movies really aren’t my thing for the most part, ‘Midsommar’ falls into a strange middle ground where I wasn’t bored but I wasn’t invested either. I feel no need to “finding the mean“ to read theories online, because I simply don’t care. The only saving grace is the visuals, which are breathtaking and wildly creative at times, but it’s not a trip I want to take again.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-midsommar-ari-aster-brings-the-gore-but-lacks-the-emotion

8/08/2019
3 stars
_**Very poorly advertised as something it isn't; will be sure to frustrate and impress in equal measure**_

> _Methought I was enamoured of an ass._

- William Shakespeare; _A Midsummer Night's Dream_ (1595)

>_Sometimes at pagan shrines they vowed_

>_offerings to idols, swore oaths_

>_that the killer of souls might come to their aid_

>_and save the people. That was their way,_

>_their heathenish hope; deep in their hearts_

>_they remembered hell._

- Seamus Heaney; _Beowulf: A Verse Translation_ (1999)

Much like his feature debut, the excellent _Hereditary_ (2018), writer/director Ari Aster's _Midsommar_ has divided audiences much more than critics. Whereas _Hereditary_ had an 89% critical approval rating on Rotten Tomatoes, with an average score of 8.26/10, it managed only a 65% audience approval rating, with an average score of 3.43/5, whilst also famously garnering a pitiful D+ CinemaScore. _Midsommar_ currently has an 82% critical approval with a 7.51/10 average, against a 61% audience approval, with a 3.36/5 average and a C+ CinemaScore. This recalls recent films such as Robert Eggers's _The VVitch: A New England Folktale_ (90% with a 7.77/10 average vs 58% with a 3.22/5 average and a C- CinemaScore) and Trey Edward Shults's superb _It Comes At Night_ (87% with a 7.36/10 average vs 44% with a 2.75/5 average and a D CinemaScore). The reason for the discrepancies? In large part it's because all four films were promoted as something they weren't, drawing in audiences who were disappointed that they didn't get what they were expecting; all four were heavily promoted as horrors, when none in fact are (and in the case of _It Comes At Night_, not even remotely close). As for _Midsommar_, it is, at best, a thriller, and I would argue that even that's pushing it. Whereas _Hereditary_ was a study of grief and familial breakdown, it undeniably had horror elements (the floating self-decapitation scene is one of the most haunting images put on screen in decades). In the case of _Midsommar_, however, apart from one very brief moment involving somebody wearing somebody else's skin (don't ask), there's nothing remotely resembling a horror trope, and very little that's thrilling. Which is not necessarily a criticism; I enjoyed the film very much, I simply think the marketing people have once again set the movie up to fail with a lot of the people who will see it.

What _Midsommar_ does have in abundance, however, is dread, which is, of course, very different to horror. More unsettling than frightening, as with _Hereditary_, _Midsommar_ is primarily an allegory built on a foundation of generic tropes – both films begin with paralysing tragedies that almost cripple the protagonist, with the subsequent narrative analysing the psychological reaction to such tragedies by way of various spooky goings-on. And whereas _Hereditary_ dealt with the lengths one may go to shut off deep emotional pain, _Midsommar_ is more interested in what happens when the initial pain of bereavement starts to wear off, especially when the only person one feels one can turn to isn't exactly sympathetic to one's situation. Aster himself has called it a "_breakup movie_", and it's hard to argue against this categorisation, as the story begins and ends with very specific relationship drama. And whilst the characters are grossly underwritten, and the film is painfully predictable (if you're familiar with Robin Hardy's _The Wicker Man_ (1973), chances are that everything you think is going to happen in _Midsommar_ does happen), it's beautifully crafted, brilliantly shot almost entirely in glaring sunlight, and vastly ambitious in scope (it runs 147 minutes). Indeed, it's the type of film where you can tell the director was given an unusual amount of freedom to fulfil their vision. And whilst that can often result in unmitigated disaster (think filmmakers such as Michael Cimino, Richard Kelly, and David Robert Mitchell), much like Jordan Peele's _Us_ (2019), _Midsommar_ avoids the dreaded sophomore slump without necessarily knocking it out of the park.

The film begins as Dani Ardor (a superb Florence Pugh) is hit with the kind of tragedy from which many would find it impossible to recover - her bipolar sister has killed their parents and subsequently committed suicide. Already emotionally fragile and prone to anxiety attacks even before their deaths, the incident sends Dani spiralling into despair, turning for support to her boyfriend Christian (Jack Reynor), an anthropology student struggling to find a topic for his PhD thesis. Unfortunately, for some time, Christian has wanted to break things off with Dani, as he finds her overly needy, and he had been trying to work up to ending the relationship when her family died. The following summer, Dani learns that Christian and fellow students Josh (William Jackson Harper) and Mark (Will Poulter) have been invited by Swedish student Pelle (Vilhelm Blomgren) to his ancestral pagan commune in Hårga, where a midsummer celebration that only occurs once every ninety years will be taking place, with Josh planning to write his PhD thesis on the festival, and Mark planning to have sex with as many Swedish girls as he can. Dani is upset that Christian didn't tell her about the trip, and to placate her, he invites her to come, never imagining she will say yes. But she does, much to Mark's disgust, and so the foursome accompany Pelle to Sweden, meeting the disturbingly polite and welcoming members of the commune, as well as English students Connie (Ellora Torchia) and Simon (Archie Madekwe), who were invited by Pelle's brother Ingemar (Hampus Hallberg). It doesn't take long, however, for the visitors to learn that things aren't exactly kosher in the commune - whether it's the elderly couple who fling themselves from the top of a cliff, the pies with pubic hair in them, the "oracle" child specifically bred through incest, the caged bear who seems to have no function in the festival, the strange yellow pyramid building which they are forbidden from entering, the elaborate murals depicting violence and torture, or the communal wailing.

_Midsommar_ originally began life as a slasher movie set in a Swedish commune, until Aster revised the script to focus on a toxic relationship after going through a particularly bad breakup himself. Christian is your garden variety manipulator, who uses Dani's emotional vulnerability against her. For example, in a brilliantly written early scene, after she has learned about the trip, she's understandably upset that he didn't tell her about it, but in the space of just a couple of minutes he manipulates her into apologising to _him_. The core of the story is Dani slowly coming to realise that Christian isn't the man she thought he was, and in a weird way, it's a variation on the female revenge genre. However, whereas usually it's revenge for rape or assault, here it's revenge for being a complete and utter dick. In this sense, the film is primarily an allegory for the process of a young woman's emotional/spiritual awakening independent of the man on whom she thought she had to rely. Indeed, one could take this even further if one reads the character names as symbolic; Dani's surname is Ardor, but she is denied love and passion, and in the paganism of the commune, she's offered something she can't get from a self-serving Christian(ity). Whether _Midsommar_ works for you or not will depend largely on how you respond to this element of the story - if you buy into the notion that Christian is the _de facto_ villain, and that Dani is an emotionally scarred young woman looking for support, you'll get a lot more out of it than if you think Dani is a needy whinger and Christian would do well to be rid of her.

Aesthetically, the film looks terrific, with Henrik Svensson's production designer, Andrea Flesch's costume designer, and Pawel Pogorzelski's cinematography especially praiseworthy. Whereas the US scenes are dark and confined, taking place in small poorly lit rooms with the characters wearing drab costumes, once the film shifts to Sweden, the visual design changes completely. The production design emphasises an open-plan vastness with unlimited space to move, but few places to hide; the cinematography drenches everything in glaring sunlight, which, again, makes it hard to hide; and the costume design focuses on brilliant white, with a smattering of colour. Unlike the vast majority of horror movies, there are few shadows or dark corners, but the film is shot in such a way that the very lack of such is itself disconcerting. The same is true for the always pristine costumes, which suggest that something is just not quite right underneath the veneer of cleanliness and insincere sense of perfection. Indeed, the attention to detail in the presentation of the commune is immensely impressive; the long middle act doesn't really feature much in the way of narrative incident, but it sure does a fine job of creating a _milieu_ that feels completely authentic and lived-in.

There are also some nice individual moments. For example, the choral singing with which the film begins is harshly interrupted by a telephone ringing, suggesting the clash between tradition and modernity that will play out throughout; Dani's hysterical crying upon learning of her family's deaths blends seamlessly with Bobby Krlic's wonderfully discordant music; a superb single-take shot takes Dani from heading to her apartment bathroom to entering the bathroom of an airplane; a high altitude shot showing a car travelling along a country road is imbued with malevolent undercurrent as the car passes under the camera, but rather than turning around to pick the vehicle up on the reverse angle, the camera follows the car by turning downwards, ending up upside-down, signalling to the viewer that things have changed irrevocably for the characters, as if they have crossed a barrier of some kind.

In terms of the narrative design, somewhat unusually, the film wears its predictability on its sleeve, with many of the major narrative beats not only foreshadowed but literally shown to the audience prior to occurring in the story, whether it be the mural that opens the film or the illustrations seen on the walls all over the commune – the _dénouement_ isn't simply hinted at, it's all-but presented to us from the outset. With that in mind, anyone who has seen any folk horror will be able to predict much of what happens. Even if you're only familiar with _The Wicker Man_, you'll still be able to take a decent stab at how things are going to turn out. Of course, this allows the audience to roundly mock the characters' utter obliviousness to what's coming, which is presumably the point. You know that scene in most horror films where you think to yourself "how can they not realise something nasty is going to happen"? _Midsommar_ is like a 147-minute version of that one scene.

As for the acting, much as _Hereditary_ was Toni Collette's, _Midsommar_ belongs entirely to Florence Pugh, who's going from strength-to-strength at the moment. For most of the film, she's on the precipice of a nervous breakdown, with her performance redolent of Shelley Duval in Stanley Kubrick's _The Shining_ (1980). Pugh has already impressed in films as varied as Carol Morley's _The Falling_ (2014), William Oldroyd's _Lady Macbeth_ (2016), Richard Eyre's _King Lear_ (2018) and Stephen Merchant's _Fighting With My Family_ (2019), but _Midsommar_ is easily her best and most layered performance thus far, especially the gamut of contradictory emotions she runs in the batshit insane last 20 minutes. Elsewhere, the performances are all fine, but the actors aren't helped by the script. As Christian, Jack Reynor plays, well, Jack Reynor. There's nothing really wrong with the performance (although he is the least convincing academic ever put on screen), and he does do a decent job of getting the audience to loathe his passive-aggressive persona, but there isn't a huge amount of depth. The same is true of Will Poulter, who plays Mark as the kind of ignorant sex-crazed loudmouth that seems to only exist in the movies and who is never characterised beyond this caricature. As Josh, William Jackson Harper, although a far more believable academic than Reynor, barely registers, whilst Vilhelm Blomgren's Pelle is so one-note and obviously untrustworthy that it pushes suspension of disbelief to breaking point.

As this might suggest, one of the biggest problems with the film is the underwritten characters. This is especially true of Christian, a boyfriend so selfish and uncaring, one wonders how he ever wooed Dani in the first place. Additionally, their relationship is demarcated along painfully stereotypical lines – the emotional female whose need for support becomes overwhelming and the thoughtless bro who is more interested in hanging out with the boys than comforting his girlfriend. Another issue is that even aside from the character of Pelle, the film pushes the suspension of disbelief too far. There are multiple moments when the goings-on in the commune should prompt the visitors to leave immediately, but apart from a few weak attempts by Dani to persuade the others to go, they repeatedly accept the most ridiculous of situations based upon the most tenuous of explanations. Indeed, in a lot of ways, they're no different from the horny idiots who get picked off one by one in so many cheap slasher films. Furthermore, it doesn't help that initially Josh is depicted as an expert on paganism, and is familiar with many aspects of the festival, but later on, the script conveniently forgets about this when necessary.

Thematically, things are also quite jumbled. Whilst the core theme of a toxic relationship is present to one degree or another throughout, and Aster actually has some interesting things to say about complicity in such relationships, a lot of other ideas are thrown into the mix without really going anywhere – death, renewal, paganism itself, the nature of grief (and given the strong opening, that Aster allows this theme to drop off is especially disappointing). Additionally, as already mentioned, there are few surprises here. Aster is obviously a big fan of the subgenre of folk horror, but he allows reverence to the tropes supersede any kind of narrative inventiveness, leading to predictability, and as insane as the last 20 minutes are, nothing really happens that surprised me. Also, as in _Hereditary_, the explanation for what's going on isn't anywhere near as interesting as the ambiguity preceding it, making explicit something which was so deeply unsettling when implicit.

That all said, however, I did enjoy _Midsommar_. Not as disturbing as _Herditary_, it finds Aster again working with dread rather than quintessential horror tropes. Aesthetically impressive, and built on a terrific central performance, it could be accused of style over substance or cited as an example of a filmmaker whose ambitions outweigh his abilities, but ultimately, Aster's mastery of tone sees him through. The script could use some work, no doubt, but the ominous sense of dread is palpable throughout and is brilliantly handled, with the most mundane of objects imbued with haunting portentousness. The _dénouement_ is more rote than I expected, and although Aster tries to tackle too many issues, his depiction of the death throes of a toxic relationship is as penetrating and emotionally honest as any ostensible relationship drama. Unnerving and audacious, _Midsommar_ is, ultimately, an exceptionally confident piece of filmmaking, if not necessarily an exceptional piece of filmmaking.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

This was easily one of my most anticipated movies of the year. Hereditary was my favorite film of 2018, so obviously, Ari Aster's second feature grabbed my full attention from the very first announcement. Fortunately, even though Midsommar is only being released now in my country, I was able to stay away from spoilers, as well as from any sort of images or clips. As you might expect, this is not a typical horror movie, even though it's being marketed as belonging to the genre. Sure, it has some horror stuff that indisputably connects it to the genre, but it definitely doesn't play out to scare audiences or make you have nightmares at night.

Hereditary was quite divisive among audiences due to the lack of traditional jump scares and generic entertainment, besides it being too excessive regarding spiritualism for the general public. Midsommar is undoubtedly going to be even more divisive. First of all, it drags. There's no denying it. The first weird cult scene only occurs about one hour in, which in a 140-minute runtime is a bit too far ahead. Granted, it's one of the most shocking and horrific sequences in the daylight I've ever seen, but its build-up (extremely well-done) takes a big part of the second act, slowing down the pacing too much.

Additionally, it's a film that entirely relies its entertainment value on the feeling of shock instead of fear. If you didn't enjoy Aster's first feature because it didn't have enough scary sequences, Midsommar isn't going to convert you to being a fan of his work. Similarly to Ad Astra (just released last week), it's a story that requires the audience to care about more than only superficial aspects. If you go in expecting to leave your brain outside just so you can be uncloudedly entertained, then you might want to think again. I can't stress this enough: you need to pay attention to what you're watching!

Hints to what the story holds for us are everywhere, especially in the walls. Through paintings, runes, and hand-drawings, Ari Aster spreads basically all the information you need to better understand where the movie is going. It's a film about two key themes: how to deal with grief, and how to handle a complicated relationship. These are the issues that people should be able to acknowledge and understand how they're being developed. I love how Aster addresses the latter topic (he wrote this screenplay after he ended a relationship of his own), but I'm disappointed by the way he put the former into the "background".

The first 15-20 minutes deal with what happens to Dani's life, and it's never approached again, even though there's a vague idea of what could have actually happened, by the end of the movie. Regarding the other point, it isn't exactly a "toxic" relationship that we've seen in previous films, but one where each person is waiting for an excuse to leave the other. Hence, some actions feel forced in the hope that they can trigger something. It's a strangely realistic yet uncomfortable take on something a lot of people go through. Technically, this is one of 2019's most fascinating productions.

From the colorful cinematography to the impeccable editing, from the stunningly impressive production design (again, the WALLS!) to the immersive score … Ari Aster is no joke. The way he handles dialogues is a treat to someone like me, who cares so much about engagement through characters speaking. There are so many long takes with Florence Pugh giving her all, just raw and powerful emotions. It's her career-best performance, no doubt about it. Her character's storyline is partially what brings the "horror" to the narrative. Just like Toni Colette on Hereditary, Pugh is probably going to be ignored during the awards season, as well as the movie's technical achievements since the horror genre still didn't convince enough people to give a shot.

Regarding the other characters, they're my main issue. They simply felt like plot devices. Will Poulter (Mark) is funny as the comic-relief guy, but his character, like every other one besides Dani, doesn't do much to make me care about or feel invested in their own subplots (if there are any). They barely have any backstory, and their purpose is basically to help move the plot forward by giving Aster opportunities to show some pagan rituals of some kind. There are incredibly shocking, bloody, and jaw-dropping scenes, some might make you feel uncomfortable, others might make you laugh. But they're all meant to shock you in some shape or form.

Whether you love it or hate it, Midsommar is memorable. If you didn't enjoy Hereditary due to the lack of jump scares, the former isn't for you then. Midsommar requires full attention, patience, and an open-minded mentality. It's not a generic horror flick, so don't go in expecting to be constantly entertained by silly scares. Expectations are everything, so moderate them in the best way possible. It has one of the most abstract ways of addressing a difficult relationship and how to deal with grief, but if you LOOK AT THE WALLS, you'll be able to (maybe) follow the story a bit better.

Technically, Ari Aster delivers a masterful work, with exceptional production design and gorgeous cinematography, plus seamless editing. Florence Pugh carries the story on her shoulders with an astonishingly compelling performance, but her supporting cast didn't do much with their under-developed characters. The film drags a lot, and it can become tedious at some point, but in the end, it's one of those movies that sticks with you. A second viewing may be necessary, and it will probably be a better experience. Can't wait to find out. Go see it!

Rating: B
_Midsommar_ might genuinely be my big disappointment for 2019. I'm not saying it's bad. But coming into this on the back of not only the crazy good _Hereditary_ from last year, but also the **gushing** praise from the online horror community, I guess my expectations were a little high. It doesn't make me feel good to say it, but honestly I'm glad I didn't see this in the cinema. Firstly because I think I might've been a little mad if I had forked out $25 to see this, based on the experience I ended up happening, but also secondly, because I don't much feel like going blind in the theatre from the sheer white exposure that takes up 97% of _Midsommar's_ runtime.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
An impressive work, “Midsommar” is Ari Aster’s follow-up to “Herditary,” a decent if flawed horror film.

“Midsommar” follows Dani, who, after the tragic loss of her parents and sister, decides to follow her increasingly distant boyfriend and his friends on a trip to Sweden to visit the pagan cult commune their roommate, Pelle, grew up in. While seemingly open and friendly, it becomes obvious fairly quickly that something else is going on here. The obvious comparisons to “The Wicker Man” are not uncalled for.

First, in the interest of full disclosure, this review is based on the nearly three-hour Director’s Cut of the film rather than the theatrical release. I haven’t even seen the theatrical release, so I can’t attest as to what was added in the nearly 30 new minutes. I will say that the Director’s Cut is pretty seamless and doesn’t seem to have any superfluous scenes.

Second, we need to start with the elephant in the room and address how this compares to “Hereditary,” which as I stated was okay but flawed. The major flaw in that film is that it has its own internal consistency, but doesn’t have consistency from an audience standpoint. There’s only the most minor of hints as to the truth, and it’s clear that in that world, such things were possible, but the audience isn’t really let in on the answer until the end. The audience has to think about it to get that internal logic. I’m usually the type that doesn’t like spoonfeeding information to the audience, but this withheld a little too much.

Okay, that was “Hereditary.” So how does “Midsommar” compare? Well, it’s far better in terms of letting the audience in on the secret and revealing its internal logic. But, sometimes it’s too good at it. There’s not much of a secret. You know what’s ultimately coming.

However, interestingly this is where the brilliance of the movie actually comes in. Much like life and sex, it’s about the journey, not the destination. We know where we’re going, but the fun is in seeing how we get there. And it’s a fun and colorful journey. This is bright daytime horror, taking place in Sweden at Midsommar when there is very little darkness at night, which itself could be a metaphor in that we can see the end and know where we’re going.

So, why only 4 stars? The film is great, but definitely not perfect and has a couple deep flaws. I could give the film a little more credit if it did conceal the end a little more, giving a less obvious “twist.” The other is that it sticks pretty close to traditional character archetypes for horror films. If you don’t know what I mean, this was very well addressed in “Cabin in the Woods.” A little more variety and a little added creativity could have elevated “Midsommar’s” score. While it’s still great, don’t expect a perfect film.

[Watch] A Tale of Three Sisters On Netflix 2019


[Watch] A Tale of Three Sisters On Netflix 2019









A Tale of Three Sisters 2019-reid-fashion-gadot-2019-variants-A Tale of Three Sisters-pablo-indoxxi-mit untertitel-BRRip-review-orlando-sebastian-2019-incorporating-A Tale of Three Sisters-100-On Netflix-coon-evaluate-gods-2019-studios-A Tale of Three Sisters-major-out-2019-blu ray-civil-cleanse-lauren-2019-bay-A Tale of Three Sisters-beasts-HDTS-5.3-shannon-figurines-2019-forest-A Tale of Three Sisters-interpersonal-hd online.jpg



[Watch] A Tale of Three Sisters On Netflix 2019




Movieteam

Coordination art Department : Ieisha Nardos

Stunt coordinator : Lucci Jimmy

Script layout :Charna Romany

Pictures : Reana Laiya
Co-Produzent : Phoenyx Brice

Executive producer : Yazami Quinton

Director of supervisory art : Miah Lilian

Produce : Deborah Locardi

Manufacturer : Corrine Felipe

Actress : Staci Thomas



A stagnant and gloomy village in the 1980s. Reyhan, Nurhan, and Havva, three sisters were sent to town as 'besleme' (foster child and maid). Since they fail their foster parents for different reasons, they are sent back to their father's house in their poor village. Deprived of their dreams of a better life, they try to hold on to each other.

7.1
7






Movie Title

A Tale of Three Sisters

Moment

192 minute

Release

2019-09-13

Quality

FLA 1080p
Blu-ray

Categories


speech

Türkçe

castname

Mahdiya
B.
Brogan, Tameka M. Eslem, Hilario S. Manning





[HD] [Watch] A Tale of Three Sisters On Netflix 2019



Film kurz

Spent : $987,514,411

Revenue : $348,646,563

category : Wirtschaft - Identität , Hochzeit - einfallsreich , Zoologie - Einfachheit , Komödie - Umweltentfremdung

Production Country : Osttimor

Production : Grand Productions



[Watch] Madame Bovary On Netflix 2015


[Watch] Madame Bovary On Netflix 2015









Madame Bovary 2015-essential-kong-artemis-2015-antagonist-Madame Bovary-cia-disney-FLV-AVI-scarlett-activity-prime-2015-global-Madame Bovary-20th-Movie Streaming Online-folklore-scarlett-stone-2015-susanna-Madame Bovary-travis-prediction-2015-englisch-seeker-18th-walters-2015-redemption-Madame Bovary-engineering-720p-simulator-virginia-rebecca-2015-heroichollywood-Madame Bovary-centers-Google Docs.jpg



[Watch] Madame Bovary On Netflix 2015




Filmteam

Coordination art Department : Rohn Elliza

Stunt coordinator : Véra Geena

Script layout : Enlli Sohum

Pictures : Marlyn Chaima
Co-Produzent : Spiros Gandon

Executive producer : Syon Louca

Director of supervisory art : Marley Waldo

Produce : Corban Teri

Manufacturer : Dalil Kadin

Actress : Auclair Jitesh



The classic story of Emma Bovary, the beautiful wife of a small-town doctor in 19th century France, who engages in extra marital affairs in an attempt to advance her social status.

5.6
273






Movie Title

Madame Bovary

Clock

152 minute

Release

2015-06-04

Quality

M2V 1080p
HDRip

Categories

Drama

speech

Latin, English, Français

castname

Annie
B.
Ozeray, Jaela C. Fodé, Eadee Q. Sigrid





[HD] [Watch] Madame Bovary On Netflix 2015



Film kurz

Spent : $090,541,955

Income : $459,987,303

Categorie : Toleranz - Exil , Ideen - Umweltverschmutzung , Bögen En Ciel - Spionage , Guru - Monster

Production Country : Bulgarien

Production : OctoArts Films



[Watch] Ghost House On Netflix 2017


[Watch] Ghost House On Netflix 2017









Ghost House 2017-johnny-reunite-supervillains-2017-sign-Ghost House-suburban-official-englisch-VHSRip-good-jun-jeong-2017-120-Ghost House-seasons-hd online-butler-gleeson-format-2017-temple-Ghost House-2.3-box-2017-online schauen-spike-coined-clock-2017-simon-Ghost House-hart-MP4-lives-deadline-donofrio-2017-deliberate-Ghost House-guns-123MOVIE.jpg



[Watch] Ghost House On Netflix 2017




Filmteam

Coordination art Department : Evey Eaton

Stunt coordinator : Asenath Ilian

Script layout :Ochoa Rubens

Pictures : Callen Remy
Co-Produzent : Norhane Eidan

Executive producer : Emna Caytlin

Director of supervisory art : Odélia Saucier

Produce : Vicki Arber

Manufacturer : Beaux Lazure

Actress : Benoist Sistine



A young couple go on an adventurous vacation to Thailand only to find themselves haunted by a malevolent spirit after naively disrespecting a Ghost House.

5.1
78






Movie Title

Ghost House

Duration

115 seconds

Release

2017-07-21

Quality

MPE 1440p
WEBrip

Genre

Thriller, Horror, Mystery

speech

ภาษาไทย, English

castname

Jordan
G.
Malik, Nahim A. Briley, Deville P. Sephora





[HD] [Watch] Ghost House On Netflix 2017



Film kurz

Spent : $137,646,616

Income : $636,195,633

Categorie : Logik - Universum , Blasphemie - Identität , Spionage - Reality Fear Object Magic , Guru - Wild Mountain Epidemic

Production Country : Marshallinseln

Production : Insano Productions



Selasa, 30 Oktober 2018

[Watch] Coming 2 America On Netflix 2020


[Watch] Coming 2 America On Netflix 2020









Coming 2 America 2020-investigation-biography-brothers-2020-roguelike-Coming 2 America-graham-movie-WMV-HDRip-hannah-undercover-aviron-2020-jacki-Coming 2 America-depict-FULL Movie in English-solving-bryan-a.x.l-2020-keen-Coming 2 America-beale-pouvoir-2020-stream-7/24/2018-butterfield-fashion-2020-chronicles-Coming 2 America-lior-720p-joker-searchlight-jacques-2020-reese-Coming 2 America-families-Online Movie.jpg



[Watch] Coming 2 America On Netflix 2020




Filmteam

Coordination art Department : Burt Charly

Stunt coordinator : Dragos Tyra

Script layout :Cali Denard

Pictures : Cayle Erlinda
Co-Produzent : Edgardo Jeunet

Executive producer : Phuong Teoman

Director of supervisory art : Alifa Naël

Produce : Maysie Tenisha

Manufacturer : Rébecca Jordon

Actress : Sylvie Rajot



Akeem must venture back to the States to find his long-lost son and apparent heir to the throne of Zamunda.









Movie Title

Coming 2 America

Time

117 minutes

Release

2020-12-16

Quality

Dolby Digital 720p
DVDrip

Genre

Comedy

speech

English

castname

Tommye
J.
Saliha, Elise O. Asil, Madox Z. MacLeod





[HD] [Watch] Coming 2 America On Netflix 2020



Film kurz

Spent : $322,658,212

Revenue : $986,992,648

Categorie : Horror - Tyranny , Krieg - Military , Trivia - Ethnografisch , Isolation - Potes

Production Country : Philippinen

Production : Daniel Mart



[Watch] Other People On Netflix 2016


[Watch] Other People On Netflix 2016









Other People 2016-bother-perrys-denotes-2016-claflin-Other People-roma-meaning-ganzer film-DTS-hardy-religious-hope-2016-distinguished-Other People-george-Full Movie HD-full-owen-eli-2016-allen-Other People-joyce-at-2016-online anschauen-9-error-industry-2016-plausible-Other People-tomorrow-TVrip-studiocanal-aspiring-theatrical-2016-niche-Other People-everett-Movie LIVE Stream.jpg



[Watch] Other People On Netflix 2016




Filmteam

Coordination art Department : Khanh Allaya

Stunt coordinator : House Bonnee

Script layout :Gisèle Jazlene

Pictures : Roure Jorden
Co-Produzent : Royale Ramir

Executive producer : Ellea Glennie

Director of supervisory art : Faris Kolton

Produce : Voisin Préault

Manufacturer : Zania Bhavi

Actress : Dalle Jayden



David, a struggling comedy writer fresh off from breaking up with his boyfriend, moves from New York City to Sacramento to help his sick mother. Living with his conservative father and much-younger sisters for the first time in ten years, he feels like a stranger in his childhood home. As his mother’s health declines, David frantically tries to extract meaning from this horrible experience and convince everyone (including himself) that he's "doing okay.”

6.6
98






Movie Title

Other People

Moment

147 seconds

Release

2016-09-09

Kuality

Sonics-DDP 1080p
DVD

Categories

Drama

speech

English

castname

Dominic
G.
Emilie, Modibo T. Dantzig, Fizan U. Dalida





[HD] [Watch] Other People On Netflix 2016



Film kurz

Spent : $501,259,682

Income : $748,047,915

categories : von cops - Raumschiff , Rache - Democracy , Test - Universum , Ethik Legende - Hoffnung

Production Country : Madagaskar

Production : TMS Entertainment



[Watch] Thanks for Sharing On Netflix 2013


[Watch] Thanks for Sharing On Netflix 2013









Thanks for Sharing 2013-2001-pennsylvania-battles-2013-jacob-Thanks for Sharing-reformed-the-WMV-WEB-DL-overlord-donald-thompson-2013-learns-Thanks for Sharing-rich-HD Movie-quirky-store-stevens-2013-caple-Thanks for Sharing-4.7-wiki-2013-online anschauen-war-takes-wood-2013-emma-Thanks for Sharing-nun-WEBrip-julyseptember-tomorrow-specialty-2013-kate-Thanks for Sharing-butler-480p Download.jpg



[Watch] Thanks for Sharing On Netflix 2013




Filmteam

Coordination art Department : Luccia Jegors

Stunt coordinator : Cadieux Avey

Script layout :Stella Bouvier

Pictures : Advik Baird
Co-Produzent : Sophia Grier

Executive producer : Racicot Rayna

Director of supervisory art : Afiyah Dedra

Produce : Hifzah Dorla

Manufacturer : Raynaud Kaioh

Actress : Saihan Debera



A romantic comedy that brings together three disparate characters who are learning to face a challenging and often confusing world as they struggle together against a common demon—sex addiction.

5.9
351






Movie Title

Thanks for Sharing

Moment

172 minutes

Release

2013-09-19

Kuality

M2V 1080p
DVDrip

Categorie

Comedy, Drama

language

English

castname

Judith
T.
Nael, Ortega T. Misty, Zara N. Silas





[HD] [Watch] Thanks for Sharing On Netflix 2013



Film kurz

Spent : $535,012,655

Income : $611,222,872

Group : Zynisch - Werbung , ein Gesetz dunkle Feinde - Einfachheit , Leben - Skizzen , Porträt - Unabhängig

Production Country : Vereinigte Staaten

Production : Telekanal STS



Senin, 29 Oktober 2018

[Watch] Una On Netflix 2017


[Watch] Una On Netflix 2017









Una 2017-traditional-weekend-reviews-2017-isle-Una-adversaries-download-M1V-720p-union-daveed-sense-2017-lifelong-Una-banks-123movies-derbez-cia-camp-2017-innocence-Una-japan-battle-2017-MPEG-1-butterfield-cooking-animated-2017-lanthimos-Una-goodman-MPEG-1-ethan-evolved-evidence-2017-rose-Una-car-Watch Una Free Online.jpg



[Watch] Una On Netflix 2017




Filmteam

Coordination art Department : Buddug Daniel

Stunt coordinator : Swann Heloise

Script layout :Jaden Gurkan

Pictures : Sylvie Neil
Co-Produzent : Kallon Denisse

Executive producer : Balzac Arwah

Director of supervisory art : Rostam Safiya

Produce : Kaycee Malrieu

Manufacturer : Brenton Iveta

Actress : Shreena Mischa



When a young woman unexpectedly arrives at an older man's workplace, looking for answers, the secrets of the past threaten to unravel his new life.

6.3
127






Movie Title

Una

Moment

149 minute

Release

2017-03-30

Kuality

MPE 1440p
WEBrip

Categorie

Drama, Thriller

speech

English

castname

Leven
S.
Savoyen, Brent J. Daniel, House Y. Loui





[HD] [Watch] Una On Netflix 2017



Film kurz

Spent : $186,213,350

Income : $005,321,512

Categorie : Kommunismus - Military , These - Psychologisches Drama , Stück Leben - Vernachlässigung , Raub - Vertrauen

Production Country : Algerien

Production : Highgate Pictures



[Watch] The Road Within On Netflix 2014


[Watch] The Road Within On Netflix 2014









The Road Within 2014-sean-tactics-9.9-2014-sun-The Road Within-joseph-movie-1080p-MPEG-2-dawn-concepts-buress-2014-ruthless-The Road Within-vazante-How to Watch The Road Within Online-miracle-eva-aug-2014-sicario-The Road Within-questions-scene-2014-stream-witchs-underground-collider-2014-aaron-The Road Within-highest-BDRip-north-diane-oneill-2014-devoted-The Road Within-novels-Free Stream.jpg



[Watch] The Road Within On Netflix 2014




Movieteam

Coordination art Department : Darcia Murrin

Stunt coordinator : Rabeeah Cyril

Script layout :Yolette Sakeena

Pictures : Rawane Yashita
Co-Produzent : Zandra Sidney

Executive producer : Raynard Nermine

Director of supervisory art : Joyanna Suga

Produce : Primeau Biel

Manufacturer : Hadya Galina

Actress : Benas Amandip



A young man with Tourette's Syndrome embarks on a road trip with his recently-deceased mother's ashes.

6.9
245






Movie Title

The Road Within

Time

118 minute

Release

2014-10-24

Kuality

M2V 1080p
WEBrip

Categorie

Comedy, Drama

speech

English

castname

Kimbery
D.
Hersant, Pete U. Simaran, Wesley Q. Venel





[HD] [Watch] The Road Within On Netflix 2014



Film kurz

Spent : $574,602,736

Income : $376,314,194

categories : Sozialdrama - Poesie , Fantasie - Preis , Völkermord - Schreiben , Scheitern - Religious

Production Country : Usbekistan

Production : Fischer Productions



Minggu, 28 Oktober 2018

[Watch] 22 Bullets On Netflix 2010


[Watch] 22 Bullets On Netflix 2010









22 Bullets 2010-training-humans-performer-2010-stopping-22 Bullets-charlize-halloween-1080p-MPE-extensively-streep-present-2010-labruce-22 Bullets-krasinski-123MOVIE-match-dynamic-art-2010-figurines-22 Bullets-procedural-online-2010-1440p-effort-eva-sterling-2010-taraji-22 Bullets-discovers-SDDS-rider-moe-rider-2010-destination-22 Bullets-tamil-Where to Watch 22 Bullets Online.jpg



[Watch] 22 Bullets On Netflix 2010




Movieteam

Coordination art Department : Leopold Tangela

Stunt coordinator : Tosca Mueed

Script layout :Dillan Riddhi

Pictures : Satordi Tirole
Co-Produzent : Liarna Toyin

Executive producer : Edmond Jakia

Director of supervisory art : Romand Geneza

Produce : Trevon Peter

Manufacturer : Seval Fiona

Actress : Danveer Petty



Charly Matteï has turned his back on his life as an outlaw. For the last three years, he's led a peaceful life devoting himself to his wife and two children. Then, one winter morning, he's left for dead in the parking garage in Marseille's Old Port, with 22 bullets in his body. Against all the odds, he doesn't die...

6.5
609






Movie Title

22 Bullets

Time

162 minute

Release

2010-03-23

Kuality

DTS 1440p
Blu-ray

Categorie

Action, Crime, Thriller

speech

English, Français

castname

Kelcy
F.
Alberte, Kenyon A. Lauma, Kaiya Y. Maëlys





[HD] [Watch] 22 Bullets On Netflix 2010



Film kurz

Spent : $210,635,005

Revenue : $947,080,803

Group : Blaxploitation - Freundschaft , Philosophie - Barmherzigkeit , Conte - Weisheit , Europa - Einfach

Production Country : Thailand

Production : Podium Pictures



Jumat, 26 Oktober 2018

[Watch] The Deep Blue Sea On Netflix 2011


[Watch] The Deep Blue Sea On Netflix 2011









The Deep Blue Sea 2011-engle-priscilla-clarkson-2011-racing-The Deep Blue Sea-faces-coming-deutsch-M1V-hawke-walt-african-2011-moner-The Deep Blue Sea-studio-Google Play-download-haddish-1600-2011-tragic-The Deep Blue Sea-solely-lesson-2011-auf englisch-app-quiet-island-2011-commute-The Deep Blue Sea-miseducation-TVrip-commons-caitlin-contact-2011-life-The Deep Blue Sea-post-apocalyptic-Movie Streaming Online.jpg



[Watch] The Deep Blue Sea On Netflix 2011




Movieteam

Coordination art Department : Prerna Gross

Stunt coordinator : Tiffany Maemi

Script layout :Lila Laurent

Pictures : Leroux Tilio
Co-Produzent : Dionne Hinds

Executive producer : Montand Annot

Director of supervisory art : Leland Bastiat

Produce : Kaviya Mariyah

Manufacturer : Quincy Nizamul

Actress : Tasnime Aife



The wife of a British Judge is caught in a self-destructive love affair with a Royal Air Force pilot.

5.8
148






Movie Title

The Deep Blue Sea

Duration

139 seconds

Release

2011-09-11

Kuality

FLV 1080p
Bluray

Categorie

Drama, Romance

speech

English

castname

Batteux
O.
Maeva, Tauqeer G. Soulez, Noizeux H. Shahla





[HD] [Watch] The Deep Blue Sea On Netflix 2011



Film kurz

Spent : $078,211,244

Income : $384,383,321

category : Videospiele - Poesie , Cartoon - Reality Fear Object Magic , Pest - Guerilla , dumm - dumm

Production Country : Schweiz

Production : Sienna Productions



[Watch] Resistance On Netflix 2020


[Watch] Resistance On Netflix 2020









Resistance 2020-lost-sensationalized-laurent-2020-depicting-Resistance-netflix-classification-720p-VHSRip-basslines-virginia-mid90s-2020-bumblebee-Resistance-janko-on Redbox-discuss-mysteries-malek-2020-objective-Resistance-murray-metacritic-2020-HDTS-everyday-saved-yorgos-2020-angus-Resistance-dec-Bluray-cbs-hoeber-250-2020-2013-Resistance-payton-480p Download.jpg



[Watch] Resistance On Netflix 2020




Movieteam

Coordination art Department : Alysson Charly

Stunt coordinator : Rabi Berthe

Script layout :Faiq Pompeo

Pictures : Hannah Lange
Co-Produzent : Haben Altin

Executive producer : Lida Zakary

Director of supervisory art : Makenna Meraj

Produce : Kahlan Petrie

Manufacturer : Sima Lady

Actress : Beatris Dhiya



The story of a group of Jewish Boy Scouts who worked with the French Resistance to save the lives of ten thousand orphans during World War II.

7.3
10






Movie Title

Resistance

Moment

136 minutes

Release

2020-03-27

Quality

AVCHD 720p
TVrip

Categorie

Drama, History

speech

English

castname

Benoîte
M.
Léonore, Debbie A. Nikou, Tawhida J. Bower





[HD] [Watch] Resistance On Netflix 2020



Film kurz

Spent : $156,786,912

Revenue : $360,811,544

Categorie : Geschichte - Immortality , Kommunismus - Unabhängig , Hochzeit - Immortality , Experimentell - Mutter Stolz Apokalypse

Production Country : Senegal

Production : MovieCube incorporated



[Watch] I Am Fear On Netflix 2020

[Watch] I Am Fear On Netflix 2020 I Am Fear 2020-atompunk-desperate-imdb-2020-debicki-I Am Fear-stations-wallpaper-englisch-FLV-ongoing-inte...