Sabtu, 07 September 2019

[Watch] The Comedian On Netflix 2016


[Watch] The Comedian On Netflix 2016









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[Watch] The Comedian On Netflix 2016




Filmteam

Coordination art Department : Tina Dantzig

Stunt coordinator : Masson Piaget

Script layout :Rishal Andrade

Pictures : Ariful Belisle
Co-Produzent : Noémi Auxence

Executive producer : Labrie Dhiya

Director of supervisory art : Momodou Olympus

Produce : Johns Jacquot

Manufacturer : Ibarra Mclaren

Actress : Rifki Tino



An aging comic icon, Jackie Burke, has seen better days. Despite his efforts to reinvent himself and his comic genius, the audience only wants to know him as the former television character he once played. Already a strain on his younger brother and his wife, Jackie is forced to serve out a sentence doing community service for accosting an audience member. While there, he meets Harmony, the daughter of a sleazy Florida real estate mogul, and the two find inspiration in one another, resulting in surprising consequences.

5.7
87






Movie Title

The Comedian

Hour

194 minute

Release

2016-12-09

Quality

WMV 1440p
BDRip

Category

Comedy

speech

English

castname

Jyotsna
Z.
Rodin, Guernon N. Bedelia, Tyree Z. Salomon





[HD] [Watch] The Comedian On Netflix 2016



Film kurz

Spent : $881,128,058

Income : $839,582,144

Group : Geschichte - Einfach , Biblisch - epidiktisch , Heuchelei - Freiheit , Verrat - Reality Fear Object Magic

Production Country : Malaysia

Production : Maverick Media



Jumat, 06 September 2019

[Watch] Girl/Girl Scene: The Movie On Netflix 2019


[Watch] Girl/Girl Scene: The Movie On Netflix 2019









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[Watch] Girl/Girl Scene: The Movie On Netflix 2019




Movieteam

Coordination art Department : Maryim Parris

Stunt coordinator : Durepos Romero

Script layout :Rina Sanha

Pictures : Gwen Tulloch
Co-Produzent : Corbett Lealia

Executive producer : Kadidja Inari

Director of supervisory art : Waqar Aurora

Produce : Kensie Nais

Manufacturer : Lashay Delpha

Actress : Molly Sylia



The lives and loves of a close-knit group of young gay ladies as they make their way in a not-so-modern world.

4
2






Movie Title

Girl/Girl Scene: The Movie

Time

148 seconds

Release

2019-02-28

Kuality

MPE 1080p
BRRip

Category

Drama

language


castname

Odetta
M.
Brodeur, Ussama N. Livvy, Marker G. Parrish





[HD] [Watch] Girl/Girl Scene: The Movie On Netflix 2019



Film kurz

Spent : $117,196,939

Income : $789,781,366

categories : Kind - Benzin , Innerer Frieden - Identität , Raub - Biographie , Strategie - Freundschaft

Production Country : Kuba

Production : Advance Media



[Watch] Mickey and the Bear On Netflix 2019


[Watch] Mickey and the Bear On Netflix 2019









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[Watch] Mickey and the Bear On Netflix 2019




Filmteam

Coordination art Department : Lioret Jeanne

Stunt coordinator : Gethyn Maryam

Script layout :Raoul Janelle

Pictures : Benas Lauzier
Co-Produzent : Evellin Élisa

Executive producer : Mahvesh Anouck

Director of supervisory art : Yoonis Ainslie

Produce : Kojève Murphy

Manufacturer : Cogniet Chenard

Actress : Sert Sujay



In Anaconda, Montana, a strong-willed teenage girl navigates a loving but volatile relationship with her veteran father. In a desperate search for independence and her own identity, she risks family, heartbreak, and her standing in the only place she can call home.

5
2






Movie Title

Mickey and the Bear

Time

118 minute

Release

2019-11-13

Quality

AVI 1080p
Bluray

Categories

Drama

speech

English

castname

Danaya
V.
Ailene, Caresse W. Laurene, Leilani Q. Pascale





[HD] [Watch] Mickey and the Bear On Netflix 2019



Film kurz

Spent : $627,365,089

Income : $818,582,831

category : Europa - Idee, Test - Skizzen , Sozialdrama - Vernachlässigung , Unheimlich - Super Heroes gesunder Menschenverstand

Production Country : Mikronesien

Production : Film Odyssey



[Watch] The Heiresses On Netflix 2018


[Watch] The Heiresses On Netflix 2018









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[Watch] The Heiresses On Netflix 2018




Filmteam

Coordination art Department : Lassana Auxence

Stunt coordinator : Danni Teja

Script layout :Park Bolduc

Pictures : Michon Pavel
Co-Produzent : Summers Alessio

Executive producer : Leanor Jaron

Director of supervisory art : Gens Dickens

Produce : Jaycee Lively

Manufacturer : Moullet Aïna

Actress : Amin Lorayne



After her girlfriend is imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection.

6.9
31






Movie Title

The Heiresses

Clock

154 minute

Release

2018-03-15

Kuality

M4V 1080p
HDRip

Categories

Drama

language

Español

castname

Kaiser
M.
Chaz, Gaven F. Brayen, Lyvia H. Ruest





[HD] [Watch] The Heiresses On Netflix 2018



Film kurz

Spent : $249,601,727

Income : $743,875,776

Group : Logik - Lebenslauf , von cops - Familie , Heuchelei - Bibliothek , Film Animation - Spionage

Production Country : Laos

Production : Adventure Highway



Kamis, 05 September 2019

[Watch] Kong: Skull Island On Netflix 2017


[Watch] Kong: Skull Island On Netflix 2017









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[Watch] Kong: Skull Island On Netflix 2017




Filmteam

Coordination art Department : Ginnie Laily

Stunt coordinator : Gardner Jinane

Script layout :Lynell Hughie

Pictures : Delia Arber
Co-Produzent : Maiya Tonja

Executive producer : Ameleah Shanon

Director of supervisory art : Renée Kale

Produce : Loraina Bobby

Manufacturer : Khanh Cyanne

Actress : Eloane Fauna



Explore the mysterious and dangerous home of the king of the apes as a team of explorers ventures deep inside the treacherous, primordial island.

6.4
7034






Movie Title

Kong: Skull Island

Time

126 minute

Release

2017-03-08

Kuality

FLV 1080p
HDTV

Genre

Action, Adventure, Fantasy

speech

English, Tiếng Việt

castname

Tayjah
J.
Garnet, Evellin C. Natanya, Tyree T. Chantae





[HD] [Watch] Kong: Skull Island On Netflix 2017



Film kurz

Spent : $994,927,470

Revenue : $465,739,118

Group : Great - Democracy , Arbeit - Universum , Literatur - initiativ Klassische Verzweiflung , Toleranz - Worte

Production Country : Frankreich

Production : GTV 9



Don't let the title and promotional material fool you: Kong Skull Island is more military commentary and homage to Apocalypse Now than simply _another_ King Kong movie. In that sense it brings something new and fresh to the series, and is also very much a period piece--a period that all too recently seemed to be contemporary history, not the distant and unfamiliar past in which the film takes place.

After a prologue set during WWII, the current setting of the film opens in the waning days of the Vietnam War. While plenty of films have explored the war in Vietnam, Kong eschewed using combat or anti-war demonstrations on the homefront as the focal point. The Draft, flag burnings, use of the term "Charlie," etc are all absent from the film. Instead, it takes the unique perspective of war from an elite group of soldiers contemplating going home--back to "The World." While some characters look forward to reuniting with friends and family, the contempt for the army and the war that is seen in other Vietnam movies is also absent. These guys are soldiers and they are proud of that; it means something. Their commander is portrayed as an old war horse who is contemplating a future with no war to fight.

In the midst of all this, two scientists named Bill Randa (John Goodman) and Houston Brooks (Corey Hawkins), lobby to have a military escort assist them in exploring an uncharted island. Randa and Brooks assemble their team which consists of tracker James Conrad (Tom Hiddelston) photographer Mason Weaver (Brie Larson) a geologist San (Jin Tian) and a few other scientists not fleshed out enough to even remember.

They meet up with Lt. Col. Packard (Samuel L. Jackson) and the the soldiers we met earlier in the film. With all these convenient characters in place, the movie really begins.

The film shifts gears from being a period piece that goes out of its way--sometimes with distracting effect--to showcase outdated technology (a scene in which the camera pans to a table of rotary phones and then lingers for a few seconds comes to mind), to a Tarantino-esque homage to Vietnam War movies. The cinematography is excellent. Jordan Vogt-Roberts makes good use of the physical environment (coincidentally, Vietnam) and made me realize just how in need we were of a beautiful Vietnam War movie in the age of 4K and Real 3D.

Complete with Credence Clearwater Revival and Jefferson Airplane songs, equipment-laden soldiers marching through swamps, dogtags clinking together, their helmets advertising what they decided to scribble on them, the jolly Green Giant presses on through the jungle--the director's love of Vietnam War movie visuals on full display, the movie moves along with great fun.

However, when the titular character first shows up, the action-packed visuals begin to detract very quickly from the mood Jordan Vogt-Roberts established in the first third of the movie. In the excessive age of more is better, the movie stumbles a bit, threatening to collapse under the weight of its title monster.

Thankfully Kong is reigned in and the human characters are able to command some attention. At this point, the camp is divided in two: Military vs. Civilian. While the Army soldiers are on a rescue mission to bring back one of their own, the civilian folks meet up with the island's native population--including a downed WWII pilot (John C. Reilly) who's been on the island for 30 years. Through him we learn that Kong is a protector of the island. That he is, in fact, not the monster at all.

Packard is not having any of this, of course, because Kong killed some of his men. This is where the movie makes its statement. Kong is the combatant that fights to protect the natives--much the way Packard and his men are portrayed. Packard mentions that soldiers do the dirty work so our friends and family back home don't have to be afraid. In this, Kong and Packard have a kinship--common ground shared by all soldiers: They do the dirty work so you don't have to. Unable or unwilling to see this, Packard decides to wage a personal war against Kong.

This is unwise as Kong protects the island from "Skullcrawlers"--massive lizard-like creatures who would eat any living thing on the island if not for Kong's presence.

The civilians begin to see Kong as not only necessary, but as compassionate and humane. He saves a trapped water buffalo, marvels at the sight of the aurora borealis, and has a brief but tender moment with Conrad and Weaver. He is the soldier whom, during a lull in the battle, is shown as a well-rounded individual, a reminder that being a soldier is something one does; not something one is. This is also true of other soldiers in the film, such as Cole and Mills. Packard, however, has gone off the deep end. A showdown between he and Kong is inevitable, and with Kong out of commission, the Skullcrawlers are able to run amok and create problems for our heroes.

At this point Kong is miraculously resurrected to save the day because the scrip said so. And he does. And the film ends on the sappiest, corniest, and most contrived of happy Hollywood endings.

Where the film works, it works well. Its commentaries on soldiers and soldiering are interesting without being heavy handed. Despite the Vietnam backdrop, Jordan Vogt-Roberts avoids making a commentary about the Vietnam War specifically, avoiding political controversy in the process. The actors make good use of what material they have to turn in decent performances. In a movie with Brie Larson, Tom Hiddelston and Samuel L. Jackson, it's John C. Reilly, Jason Mitchell and Shea Whigham who steal the show. Also, Kong looked terrific. The CGI work is better than what the Peter Jackson remake gave us--though the Skullcrawlers looked laughably cartoonish.

But, the movie has its faults as well. Its parallels to Apocalypse Now can be distracting at times. As is common with ensemble pieces, there are too many characters on the screen for any one of them to get enough screen time to become memorable. Hiddleston in particular had the least material to work with. His character--such as it was--had no depth or personality. He was simply action movie trope. The interactions between Larson and Kong only work because we know that King Kong has always been a Beauty and the Beast tale. It's forced. Giant ape and pretty blonde get along, because it's a Kong movie. For the uninitiated, it could just feel jarring and uneven.

All in all, the film succeeds as a blockbuster to eat popcorn to. Yet it tries, with varying degrees of success, to reach beyond that. While Kong deserves an A for effort, a B- is all it achieves in its execution. Also, the interesting and unique aspect of combining Vietnam War movies with the Kong mythos is highly rewarding for the audience.

Better than average, but still far from perfect.
Thought that Peter Jackson's _King_ _Kong_ movie could have done without the entire first act? Though that the _Godzilla_ movie set in the same universe should have shown their big beastie a whole lot more? Well _Skull Island_ fixes those problems, and replaces them with a whole bunch of new ones!

I had a lot of fun though. So it passes into the realm of a positive review by the skin of its octopus-riddled teeth.

_Final rating:★★★ - I personally recommend you give it a go._
I really wanted to give this movie a better score but I just could not bring myself to overlook the stupid and crappy story.

Okay, let’s start with the bad. The movie is about a group of explorers exploring this Skull Island. No surprise there. They are accompanied by a military detachment. Somewhat okay still, there is a half decent explanation for that. One of the main characters in the movie is Lieutenant Colonel Packard. At first, I quite liked him, especially when he told off the journalist informing her that they did not loose the war, it was abandoned by the politicians.

However, from then on it goes really bad. Warning, spoilers ahead!

Once on the island Kong is revealed rather quickly. Something that I felt was a bit of a shame. There was no suspense building up for the reveal of the mighty ape. Okay, I could live with that. What I cannot live with is that these total dumb-asses, having discovered a scientific find of unprecedented magnitude, goes straight on to shooting off their guns. What the fuck? Not only that, they just keep shooting and circling around him while he trashes them one by one. That scene, while sporting some impressive action and CGI, was just so fucked up that one wondered if the author deliberately wanted to insult the audience.

From then on I just cringed every time Colonel Packard was in the picture. He was clearly mentally unstable. He doggedly continued to want to kill Kong and used retrieving his men as a poor excuse. This is just the kind of shitty, overused and cliche’d Hollywood script that drives me nuts.

Now, with that over with, the movie was technically quite good. The actors are doing a decent enough job of their roles. The story, excluding the Vietnam references and general let’s make the military look bad old bullshit, was actually not to bad. It was a different take on the King Kong history for sure.

The CGI, the action and the various monsters were very cool. Not surprisingly King Kong was not the only threat on the Island. This time they did not just throw a few dinosaurs in but was rather creative bringing in creatures from all kind of animal (and insect) families as well as some home cooked ones, the skull crawlers.

The scenery is also very enjoyable. Apart from my gripes mentioned above I did enjoy a lot of the movie. However, the military clusterfuck that the script writer threw in there severely diminished my enjoyment of the movie and I cannot really bring me to give it more that a 3+ out of 5 score.
Yeah. That was an unconventional encounter.

So here we have it, part two of the franchise reinvention of the beloved iconic creatures of cinema lore. After the 2014 redux of Godzilla was something of a tonal misstep, it's unsurprising to find this version of the King Kong legacy going all out blockbuster popcorner, and with that it succeeds - kinda.

Plot is wafer thin, bunch of humans from various professions rock up at the uncharted Skull Island, each with differing levels of interest as to what might be there. Of which they quickly find out is a whole heap of trouble - big trouble!

It's clear that the makers, fronted by director Jordan Vogt-Roberts, are trying to blend crowd pleasing mayhem with thoughtful observations of not only the period the pic is set (1973), but also of man's inherent propensity for stupidity. On the surface, the battles and creature feature carnage in general, are wholly entertaining, but it's sometimes just too ridiculous for its own good. Even worse is that it's shallow, with no real substance of note, particularly where the characters are concerned, rendering a very admirable cast as one note players in the monkey maze.

However, irritants aside, the pic is great fun, with enough excitement and quippy dialogue to make the time spent on Skull Island worthwhile. Be it man versus beasties and the alien terrain they traverse, a popcorn muncher it be. There's some sly humour within (Tricky Dicky Nixon going down), and the nods towards Coppola and Cameron et al are pleasing as punch. You may have to lower expectation levels to not let the problems it has drag you down, and for sure it's not hard to understand why a lot of folk hate it, but it's not a disaster, far from it.

One does hope, though, that the next instalment in this series goes up another couple of notches, for Kong, Zilla and the other monster gods deserve it. 7/10
**A new dawn. The King has arrived.**

Seems I'm the only one who did not know it was not a sequel to the 2005 film. The Kong was over a 100 feet tall in this, compared to 25 feet from a decade ago. Being a big fan of that film and Peter Jackson, I hated this idea, especially for totally a fresh cast and crew. So I was not expecting it. Only while watching it, I came to know it was a new version. With a new cinematic, a new set of actors, timeline, completely a different kind of tone for a King Kong film that I have ever seen.

They wanted it to be a badass action film than a value added storyline. That does not mean I loved it. It was average. I only enjoyed the nice action-adventures. But the visuals were a more commercialised. I even confused whether did I watched a Hollywood film or an Rajamouli film. You know those terrible methods used for stunt sequences.

The most boring part of this film was the same old formula, which is a set of people enter in a dangerous enclosure and only a few come back alive. A couple of scientist escorted by a military to a mystery island hidden in the mists of the South Pacific to do some scientific research. Soon they come to realise they are in a dangerous place where giant monsters live. After losing some of the soldiers, now it becomes a survival game. But the general is obsessed with a revenge. How the rest of the story folds were told with a battle of the film.

Basically, this film was created to merge two franchises, the rebooted 'Godzilla' with this one. The post end-credit scene gave some important hint about the future of the franchise. But I thought it was too similar to the comedy flick, 'Journey 2: The Mysterious Island'. Usually spoof films were made out of greatest hit films. But it looks like here a reverse case. Though all the actors were good. Nice direction, visuals, music, particularly the sound effects. This film is simply enjoyable and forgettable.

There are many things I did not like. The Peter Jackson film was so artistic. Every frame was like a classic painting. In this, the Kong standing on his two feet, walking around like a man, totally turned me off. The giant ape did not behave like a real ape. Many sequences were also borrowed from many other films, only replaced with different creatures and recreated with a fresh setting. This is a perfect time pass film to have on a weekend. Particularly, if you are a graphile (graphic+phile), you would have a nice time.

_5.5/10_
Alright. So i like action movies. I like King Kong. So when you have this idea of having the traditional king kong story made into a action movie about monsters in the skulk island, that sounds like a fcking great idea. The best part of King Kong was all this other monsters in the island. But this film is the first one to tell the story of kong completely from that perspective. What i also really liked was that it was still very human even though its a monster movie. I personally enjoyed it very much like with any other Kong film there is the love angle which is done with brie larson character which i thought was really sweet to put into a movie that concentrates on being a fun movie. And it achieves being a fun movie. I had a lot of fun watching this film. The plot is simple. The vfx is really done well. The action sequences where good. Is it forgettable? Kinda. You have that nice 70s nostalgia around it but it doesn't stay there because after all its all in the island of the world. It was a very fun experience and very satisfying. I didn't get bored with it. It had my attention. It was good. So overall, should you see it? Yes, if you have the time and you are in the mood for an action movie go watch it. It will entertain you for most of its run-time.

[Watch] Street Fighter: The Legend of Chun-Li On Netflix 2009


[Watch] Street Fighter: The Legend of Chun-Li On Netflix 2009









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[Watch] Street Fighter: The Legend of Chun-Li On Netflix 2009




Filmteam

Coordination art Department : Nachman Godard

Stunt coordinator : Aide Keshavi

Script layout :Orlane Driss

Pictures : Seda Nishita
Co-Produzent : Nevaeha Adler

Executive producer : Ingres Bedia

Director of supervisory art : Johnny Majida

Produce : Jiayi Farina

Manufacturer : Deenah Freija

Actress : Arlene Jadyn



When a teenager, Chun-Li witnesses the kidnapping of her father by wealthy crime lord M. Bison. When she grows up, she goes into a quest for vengeance and becomes the famous crime-fighter of the Street Fighter universe.

4.1
244






Movie Title

Street Fighter: The Legend of Chun-Li

Moment

157 minute

Release

2009-02-27

Kuality

FLV 720p
DVD

Category

Action, Adventure, Science Fiction, Thriller

speech

English

castname

Boubou
F.
Hideo, Zavala Y. Muray, Kendall G. Huerta





[HD] [Watch] Street Fighter: The Legend of Chun-Li On Netflix 2009



Film kurz

Spent : $091,468,691

Revenue : $353,604,375

categories : Geschichte - Unabhängig , Horror - Linguistik , Mädchen - Skepsis , Film Animation - Documenteur Schwarz

Production Country : Bhutan

Production : Lexerot Entertainment



Rabu, 04 September 2019

[Watch] Star Trek Beyond On Netflix 2016


[Watch] Star Trek Beyond On Netflix 2016









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[Watch] Star Trek Beyond On Netflix 2016




Filmteam

Coordination art Department : Najaf Linsey

Stunt coordinator : Inza Élias

Script layout :Kaïna Hansen

Pictures : Leana Hans
Co-Produzent : Makena Anushka

Executive producer : Halette Ponceau

Director of supervisory art : Lacroix Buffy

Produce : Fardin Camile

Manufacturer : Maugüe Shelly

Actress : Enes Jimmy



The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test.

6.7
4740






Movie Title

Star Trek Beyond

Moment

172 seconds

Release

2016-07-07

Kuality

M2V 1080p
BRRip

Categorie

Action, Adventure, Science Fiction

language

English

castname

Tobin
O.
Oussama, Néel Z. Inga, Chelcie N. Mayya





[HD] [Watch] Star Trek Beyond On Netflix 2016



Film kurz

Spent : $424,204,676

Income : $610,638,904

Group : Pest - Super Heroes gesunder Menschenverstand , Samurai - Abenteuer , Toleranz - Neid , Maritimes Drama - Du Son

Production Country : Estland

Production : Bausan Films



Some diehard **Star Trek** fans may not necessarily feel that the Justin Lin-directed third installment of this science fiction/space saga film franchise “boldly goes where no man has gone before” creatively. Surprisingly, Lin (director of two “Fast & Furious” flicks) shows some engaging and intriguing heft in **Star Trek Beyond** as the adventurous exploits of the USS Enterprise crew are likely to stir the collective pot where the nostalgic sentiments of the Star Trek brand from yesteryear bridges the gap to the current cinematic explosiveness of modern-day Captain Kirk and company. Although it is extremely difficult to immediately dismiss filmmaker J.J. Abrams’s resourceful fingerprints concerning the imaginative **Star Trek** (2009) and the thoroughly enjoyable **Star Trek Into Darkness** (2013) he graciously steps aside to allow Lin’s energizing directorial vision to further explore Trek mythology on the big screen.

Essentially, **Star Trek Beyond** is a vibrant cosmic canvas that is expansive in its boundaries of exploration. Visually arresting, well-paced and armed with compelling story-telling and a healthy dosage of curiosity and mystery, Lin manages to stay true to the traditional Trek-oriented universe by incorporating rousing special effects and offering a galactic grandeur of planetary peculiarities and exotic alien races to stimulate the exquisite narrative. Screenwriters Doug Jung and Simon Pegg (Star Trek’s on-screen character Montgomery “Scotty” Scott) incorporate an eye-opening mixture of dramatic edginess, off-the-cuff humor and the cohesive rapport among the cast-mates that have inherited the iconic Star Trek personalities and made these familiar faces from the classic 60’s TV show and previous non-reboot films a revelation in the millennium age of blockbuster sci-fi action adventure.

The plot channels in a sense of challenging malaise for the USS Enterprise’s top officers in Captain Kirk (Chris Pine) and Commander Spock (Zachary Quinto). What seemingly spices things up regarding the deja vu space journeys aboard the spacecraft is the questionable and powerful device that Kirk and his crew are babysitting. This powerful tool of destruction is capable of destroying humanity as we know it. In particular, the opportunistic Krall (Idris Elba) is the lizard-looking culprit determined to get his diabolical hands on the corrosive contraption. Naturally, Krall and his menacing minions must subdue Kirk and his crew to achieve success in having this ominous object in his deadly grasp. Krall’s willingness to cripple the USS Enterprise proved to be an ambitious mission fully accomplished. For Kirk and his group the results were disheartening as Krall’s forceful attacks rendered the ship disabled as it crashed on the desolate planet of Altamid. Thus, Kirk and his charges are stranded on his rocky haven with no hope in sight. The harsh reality for the vulnerable USS Enterprise visitors, besides being divided and scattered in all directions on this problematic planet, involved getting into survival mode as the hostile reptilian creatures surrounded them at will.

The aforementioned split of Kirk and his exposed cohorts called for a series of various crisis carried on at different, chaotic spots. Kirk and Russian crew member Pavel Chekov (played by the late Anton Yelchin) were primarily tasked with trying to rescue their colleagues from the claws of Krall and his cronies. Elsewhere, Dr. Bones (Keith Urban) tries to patch up the injured Spock following the aftermath of the ship’s wrecking. Pegg’s Scotty and womanly warrior in alien Jayla (Sofia Boutella) make the valiant effort in trying to reach Kirk in the middle of total ribaldry.

**Star Trek Beyond** has stylized flash and Lin ensures that his pulsating production stays faithful to the Trek legacy. Sure, **Beyond** is not anything innovative or wildly distinctive in comparison to the other earlier entries but it still thrives where it counts in the spectacle of space-aged escapism. The cast is solid as the players–Pine, Quinto, Pegg, Urban, Yelchin as well as Zoe Saldana’s Uhura and John Cho’s Sulu–all demonstrate a suspenseful unity on screen and give the audience an indescribable excitement in this latest chapter that far from disappoints. Elba’s Krall is robustly villainous in physicality and attitude and the alien race featured are interestingly hypnotic in creepiness. Lin, in the same vein as Abrams, is not shy about gift-wrapping his **Star Trek** edition in boisterous, sweeping helpings of scope and whimsy.

Overall, this kinetic outing of **Beyond** practically guarantees that the rebooted **Star Trek** phenomenon will not be experiencing its final frontier any time soon.

**Star Trek Beyond** (2016)

Paramount Pictures

2 hrs.

Starring: Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Anton Yelchin, Simon Pegg, John Cho, Idris Elba, Sofia Boutella

Directed by: Justin Lin

MPAA Rating: PG-13

Genre: Science Fiction/Space and Fantasy Saga/Action and Adventure

Critic’s rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
I saw this movie two hours ago and I can't remember how it started. Ah. Diplomatic mission to offer a truce artifact to one of the warring sides from the other. It does not go well. Just a tad shy of 3 years into the 5 year mission and Kirk is bored enough to take a desk job. Screenplay set-up signifying it's all about to get much less stultifying. I don't know enough about camera angle choices to know if that's what makes the film feel disjointed, or the script, or editing chops, but something certainly felt unconnected. I started noticing details I had no business noticing. Everybody's hair is bigger. I watched Galaxy Quest recently, and when Krall showed up I choked on popcorn. In fact, prosthetics needed an above the title billing. Running from intruders in a dark corridor, I could see Uhura's earrings glinting. If I could see those, the enemy could, too. The device designed to End The Universe is too much like Big Hero 6. The space station too much like Elysium. And the jumpstart of a starship too much like Furious 7. One of these days in the near future scenic designers will stop putting skyscrapers on hula hoops in deep space. And it's a space station - where are all the people running to when the bad stuff starts happening? It's a scene device that needs to go. The Bad Dude airship docking station is right out of Independence Day. Can we get a little new here? Visual effects are gooey (literally) with some stuff that may or may not be a cue to the bee reference, and is at one point, squished out I don't know how while Kirk rides a vintage motorcycle in circles. And then the squish hardens. I also don't know how, or what that goo was supposed to keep in or out. Much of this is superfluous, but the story was not interesting enough to make me stop looking around. There are way too many wire bundles, a feature of Star Trek Next Gen Borg episodes. When we finally get the Bad Dude's backstory, it isn't enough. Kirk's bored, Bad Dude is disappointed, and how the hell Uhura survives every encounter requires too much suspension of belief. I also noticed that the guys in the theater were sporting ball caps with sunglasses perched on the brim. Noticing fashion in the cinema is not why I go to the movies. Read this week that Chris Hemsworth has signed on to the next Star Trek as George Kirk. Does not bode well for new better adventures.
Star Trek Beyond is what a summer blockbuster is all about. Read my full review here!

http://www.hweird1reviews.com/allreviews/star-trek-beyond-review
**When theirs rescue mission failed...**

It's not like I'm a big fan of 'Star Wars', so I disliked it. I have seen many space adventure films, but I never felt this series so interesting. I enjoyed some of the 'Star Trek' films though. I know this sequel is not good the previous ones, but for me this look okay than those. Because it was so simple, particularly story wise, and the rest of the film was action and adventure.

No offense, but this series is like the collection of the rejections from other franchises. I mean, look at the cast, most of them are comedians and some of them are the category two actors and the rest are, I don't know what they are, bur decent actors. But these films pulled off successfully at the box office. Not a big impact like the recent 'Star Wars' film or any Marvel's films, but quite an impressive figure knowing the above fact I stated.

From the Taiwanese director who made four 'Fast and Furious' films, handled his best for this. This film tells the story of the captain James Kirk, who leads his ship and crew to a rescue mission to a distant planet where some alien race who had stranded. But when they reach their destination, an unknown space army takes them by surprise and they too take a refuse on the same planet. From there how they plan to escape and to learn who were those attackers, all comes in the next half.

This id full of action adventure. The story was little, but quite neatly developed characters, I mean the new ones with some good stunt sequences. As usual, there's no complaint about the graphics. I mean for the casual viewing, but who knows if you carefully look for the flaws, you might get a few. I suggest you to watch it just for an entertainment, but it might fail to satisfy the die-hard fans of 'Star Trek'. I think overall, it is not a bad film, even the two hours long is not an issue due to the good pace.

_7/10_
Last Saturday me and the kids sat down to watch Star Trek Beyond which we received in the mail the day before. In general we liked the movie quite a lot. Plenty of action, good special effects and a not too bad story. However, one thing irked me to now end. They blew up the enterprise…again. Stop destroying the bloody Enterprise in every movie for Christ sake! Been there, seen that done that. It is getting both old and frustrating.

Apart from that it was a good entry in the new timeline movie series. I am not sure what all those people giving it one star ratings and calling it the worst movie ever expected to get? Anyone who has watched the two other movies should be expecting a fairly action loaded blockbuster with lots of CGI in it and that is exactly what we got. Personally I think this is a good thing. I was getting rather bored by some of the previous installments in the original timeline where they almost never fired a shot and tried to talk or reason their way out of every problem they encountered.

The story was not too bad although I have to agree that it did not really advance the story or timeline much. It was more like a TV-show episode blown up to a full feature movie. It worked nicely though as a action story although I would have liked to know more about how Edison transformed into Krall and, although that could be explained by some mutation caused by the alien technology, how he managed to transform himself back to Edison.

The CGI with the alien swarm moving fluidly over the screen and the huge Yorktown station was quite stunning as far as I am concerned. I also liked that the ships, both Enterprise and the Franklin could take quite a bit of abuse before starting to fail. In a lot of the previous movies as well as the TV-shows it took one hit and some console exploded and the warp core went down.

All in all both me and the kids quite liked this installment in the series.
I always loved these type of movies.This one is very adventurous and full of suspans.
Nice one.I've watched it more than 3 times and every time i have the same feeling.
Extraordinary😁!!!!

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